VENICE GUIDE...
EATING

INTRO

Alright. This might be my favorite chapter.
Zero gatekeeping. Just a bunch of places I’ve actually been to, and places I’d be genuinely happy to see you step into as well. (you can find more of them in THEMAP)

But before we get into addresses, menus, and which wine pairs with what, there’s something I need to say about food in Venice — and about “tradition” in general. Because if you don’t understand that, everything else in this chapter is going to sound like a sales pitch.

Let’s be honest:
Venezia is not a “pure” food city.
It never was.

For centuries, Venice was a trading hub between the Mediterranean and the world. Ships came from the Balkans, the Middle East, North Africa, the Black Sea, Northern Europe, and beyond. They brought spices, dried fish, salt, grain, coffee, sugar, fruits, oils, and whatever else was moving through the networks of the time.
Because of that, Venetian cuisine has always been a mess of contamination — and that’s a good thing. It’s a port‑city cuisine, a fusion before the word existed.

So don’t get your panties in a twist if baccalà (stockfish) is coming from the Lofoten Islands in Norway, or if some of the dishes that feel like “Venetian classics” are actually built on ingredients that arrived from halfway around the world, or if the recipes that feel ancient are in fact barely a few hundred years old, sometimes even younger.
That’s not a betrayal of tradition — that’s exactly how Venice ate for centuries: ships bringing whatever they could, cooks mixing it with what they already had, and turning accidents into rituals.

And here’s the uncomfortable truth:
Most of the so‑called “Italian” dishes you’re about to eat in Venice are not Italian in the way people sell them to you.
The idea of a single, unified “Italian cuisine” — with ancient, unchangeable roots — is basically a 20th‑century construction.
Before that, there were just regional cuisines, local cuisines, family cuisines, sometimes wildly different even between neighboring towns.
The “national” Italian food we know was glued together by the food industry, TV, and the need to sell Italy abroad as this romantic, pasta‑and‑tomato paradise.

Many of the ingredients and dishes we treat as ever‑present, “traditional” symbols of Italy — tomatoes, dry pasta, Parmigiano, coffee, grappa, panettone, tiramisù — only became “typical” between the 1950s and the 1980s.
Some of them are the result of global exchanges (like the tomato, which came from the Americas), industrial reworkings, or outright modern inventions.

The idea that “tradition” is automatically better or more authentic is a myth, not a historical fact.

So here’s my first rule:
If you’re in Italy and a restaurant explicitly says it serves “Italian cuisine”… run.
Seriously.
That’s not a sign of authenticity. That’s a sign you’re about to buy a generic package, not a meal.
Italian food, when it’s real, is a thousand small, messy, local realities — the way people eat in a specific place, in a specific context, with specific ingredients, at a specific moment in time.
When a place feels the need to label itself with “Italian cuisine,” you’re probably about to pay a lot of money for a very small portion of nostalgia.

IF YOU’RE LOOKING FOR “AUTHENTIC”
If you’re out there trying to find an authentic place to eat “Venetian food”, here’s the hard truth: you’re not going to find it by looking.
You’re going to feel it.

The best places often don’t have glossy photos plastered outside to lure you in.
They often don’t have a menu displayed in the window.
Sometimes they don’t even have a menu at all.
The guy that just got in the fish that morning is not going to bother writing a daily menu; the owner will just tell you what’s on the plate that day, if you ask.
Sometimes the freshest stuff is the stuff that wasn’t planned.

And the most interesting spots are usually tucked away in small calli or campi that feel like they’re hiding from the rest of the city. Locals call them “sconti”(hidden) — not‑quite‑touristy, not‑quite‑famous, places you usually only find if someone drags you there because they like you enough to share a good thing.
Or you stumble on them by accident, feel the right kind of vibe, and once you’re inside, you realize you made the right choice.

So if you want to eat something real in Venice, stop chasing “Venetian cuisine” like it’s a dish on a menu.
Walk around when you’re hungry, follow the smells and the noise, talk to the person behind the bar, and ask what they would eat right now.
If the answer feels like a real answer, not a line, you’re in the right place.

MY GO-TOS

These are just a few of the names that pop into my head when I think about where I actually want to eat in Venice. No rankings, no “best of” bullshit. Just places I’ve sat at, eaten at, and would be genuinely happy to see you step into.

Osteria Ca’ d’Oro alla Vedova If you want to start eating like a local in Venice, Ca’ d’Oro alla Vedova is as good a place as any. To a tourist, the size and the layout will feel like the exact opposite of a “tourist restaurant” — more like a French bistro or brasserie, with a small room, a counter, a handful of tables, and enough noise to make it hard to hear your own thoughts.

The menu is simple, focused on Venetian tradition: not too many choices, no circus, no fusion.
This is the place where you can try baccalà, sardine in saor, a solid plate of spaghetti alle vongole, and a glass of wine that doesn’t cost you an arm and a leg.

Now, here’s the thing: a lot of people come here for the polpette (meatballs).
They’re famous, they’re good, they’re the kind of thing that shows up on every “best food in Venice” list.
Do I care about them?
Not really.
I’m not a big meatball guy.
But I understand why they’re the star — they’re the kind of dish that makes people feel like they’re in a real, old‑school bacaro, not in a theme‑park version of one.

Osteria MocenigoYou really should book ahead if you’re going to try to eat here, because it’s one of those places that are always full, even though from the outside you’d never guess there’s a restaurant at all.
It’s the kind of place that hides in a small campo, behind a door that looks like it’s closing at any minute, but once you’re inside, the room is warm, the tables are close, and the atmosphere is exactly what you’d hope for in a real Venetian osteria.

The menu changes often, so don’t expect the same thing every time.
This is one of those places where seasonality actually matters — the fish, the vegetables, the wines, they all shift with the calendar.
You need to ask what’s good, what’s fresh, what the chef recommends.
And if you do, the people behind the bar will be happy to tell you.
They’re not selling a show, they’re just trying to feed you something that makes sense for that moment.

La ZuccaAnother place that deserves a booking in advance is La Zucca, not far from Campo San Giacomo.
It’s the kind of restaurant that looks so authentic it almost feels strange that it hasn’t turned into a tourist trap.
The location is the kind of tiny, narrow calli‑in‑the‑middle‑of‑nowhere that you wouldn’t trust to host a proper restaurant, yet it’s packed almost every night.

From what I’ve heard — and from what everyone I know who’s been there has told me — La Zucca is almost always in their top 10 restaurants in Venice.
They care about the food, the wine, the way the room feels.
They’re not doing anything fancy, but they’re doing it very well.

If you like the idea of a place that doesn’t feel like a scam, that doesn’t feel like it’s built for photos, that doesn’t feel like it’s trying to sell you an Instagram‑ready moment — this is the kind of place you’re looking for.

These three places — Ca’ d’Oro alla Vedova, Osteria Mocenigo, La Zucca — share the same spirit: they’re osterie.
They’re not “fine dining,” they’re not “experiences,” they’re not “concepts.”
They’re places where food is supposed to restore you, to make you feel good, to make you feel like you’re part of a community, even if you’re just passing through.

OMG TREAT YOURSELF RIGHT
If you’re in the mood to treat yourself a bit, like I am every once in a while, you can do that in Venice too — and still feel like you’re not just spending money on a show.
You don’t have to choose between “real Venice” and “feeling good.” Sometimes you can do both.

One place I feel almost forced to talk about is The Venice Venice Hotel.
It’s a boutique hotel that opened a few years ago, and it’s definitely one of my favorite spots in the city.
The rooms are small, but they’re covered in art — contemporary works and pieces from the second half of the twentieth century.

And then there’s the restaurant.
Yes, it’s in a hotel, so it looks a bit “designed,” but it’s not the kind of place that feels like a trap.
You can go there to eat, or just for a drink at night, and you’ll usually find a room that feels like a gallery where people happen to be eating instead of just looking at the walls.

The food here is simple, clean, visually strong — the kind of cooking that pays a lot of attention to presentation without trying to be “modern” for the sake of it.
Is it cheap?
No.
Will the experience make you feel like the money was spent on something that genuinely impressed you, not just on a location that looks good in photos?
Probably.
And in Venice, that’s already a small victory.

THE RESTAURANTyou’re in the mood to treat yourself a bit more — the kind of “investment meal” that’s not just about hunger, it’s about investment in a moment — then Venissa is the place to talk about.

Yeah, it’s on a different level.
To get there, you have to take a vaporetto or a taxi to an island near Burano, “Mazzorbo” and then you’re suddenly in a place that feels like a small resort, a quiet retreat, a place where the world slows down a bit.
This is not a “swing‑by‑on‑your‑way‑to‑something‑else” kind of restaurant.
It’s a destination.

Venissa is a Michelin‑starred restaurant, and it also has the Michelin Green Star — a sign that what they do is not just about flavor, but about sustainability.

Inside, you’ll find a vineyard that grows grapes only in that soil, a wine shop that sells bottles made from those same vines, an osteria, and the main restaurant.

The osteria is the easier, more accessible way into the world of Venissa.
It’s where you can taste the same kind of food, but in a more relaxed, casual setting.
The cuisine here is often described as ambiental — a contemporary, conscious approach to food that uses ingredients responsibly, chooses suppliers carefully, and grows a lot of the vegetables in their own large, lush garden.

They focus on seasonality, on reducing waste, on reusing scraps, and on using invasive species from the lagoon — the kind of fish and plants that are often overlooked, but can be turned into something beautiful and delicious.

If you’re looking for a place that feels like it’s doing something more than just “serving good food,” this is it.

The restaurant at Venissa is, of course, the real deal.
Beyond the obvious difference in price, what sets it apart is the experience: a full, multi‑course journey through their philosophy.
You’re not just ordering dishes; you’re following a route, a story, a series of decisions that show how they think about the lagoon, the land, the seasons, and the people.

The chefs behind this are Chiara Pavan and Francesco Brutto, two people who are very much the protagonists of this cuisine.
Chiara has recently gained wider recognition for her appearance on the Italian version of MasterChef, but despite the increased attention, the restaurant hasn’t changed its way of serving — it still feels like a place that’s more about food than fame.

In the osteria, you can expect to spend around a hundred euros for a tasting menu.
At the restaurant, it’s much more — sometimes a lot more — but the experience is absolutely worth it.
You’re not just eating a meal; you’re taking part in a conversation with the lagoon, the land, the seasons, and the people who live here.